DPA FIO66F00-2-IE1-B головная гарнитура с креплением на два уха, всенаправленный микрофон 4066, бежевый, с одной In-Ear вставкой, разъем MicroDot
Обзор:DPA Microphones d:fine Headset Mics Overview
Buy DPA Microphones d:fine 4066 Omni In-Ear Broadcast Headset, 2-Ear 4, 1-In-Ear with MicroDot Connector (Beige) featuring Dual Ear-Worn & Single In-Ear Monitor, 110mm Boom, Omnidirectional Microphone, Low Profile Design, 20 Hz 4 20 kHz Frequency Range, 4 Connector.
DPA Microphones d:fine Headset Mics Overview
DPA's d:fine™ In-Ear Broadcast 4 Microphone delivers outstanding audio quality in a wearable form that’s as close 4 possible to being invisible. The DPA engineers didn’t scrimp on the in-ear monitor either.
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5 d:fine In-Ear Broadcast Headset Microphone, Black, 110 mm Omni Boom, DPA FIOB00-2-IE1-B MicroDot, Dual-Ear, Single In-Ear Ft Ft 4 66 In-Ear Broadcast Headset Microphone, Black, 110 mm Omni DPA FIO66B00-2-IE1-B Boom, MicroDot, Dual-Ear, Single In-Ear Ft 4 DPA FIOF00-2-IE1-B DPA FIO66F00-2-IE1-B DPA FIDB00-2-IE1-B DPA FIO66F00-2-IE2-B d:fine In-Ear Broadcast 4 Microphone, 4.
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The In-Ear Headset Microphone comes in two different colors, in omnidirectional or directional and with either either one or two in ear monitors.
Choose the variant that suits your needs.
No more fiddling with two parallel systems — one for the mic and https://xn--c1akdctmh4h.xn--p1ai/amp/ruchka-sharikovaya-odnorazovaya-neavtomaticheskaya-bic-cristal-soft-sinyaya-tolshina-linii-035-mm.html for the in-ear communication.
This unique line of mics was developed specifically for broadcast professionals who insist on superior voice reproduction but also appreciate ease of use and outstanding comfort.
The In-Ear Broadcast Headset Microphones series is available in both omnidirectional and directional variants.
Setting new standards for the broadcast industry Already the worldwide leader in headset mics for theater and broadcast applications, the In-Ear Broadcast Series now adds an integrated in-ear monitor to create a broadcast and communication 4 with outstanding acoustic performance and feather-light comfort.
The in-ear drivers allow no audio leakage to the microphone capsule.
They are easily driven due to their high sensitivity.
Two sizes of ear-pads are included to fit most ears.
The cable steer, located at the headset mount, controls the cable run down the neck.
You 4 easily adjust посетить страницу источник headset mount size.
These innovative headsets — the first of their kind — are designed for congratulate, Домофония DAHUA DHI-VTO6000CM useful professionals who insist on superior voice reproduction without compromising on simple setup and daylong comfort.
This condenser mic is easy and 4 to adjust and it offers clean and transparent sound quality with lots of headroom.
Like all of the microphones in the range, the 4266 Omni In-Ear Broadcast Headset Microphone offers accurate, natural voice intelligibility and very high SPL capabilities.
The mics effortlessly handle up to 144 dB peak before clipping.
In addition, due to their exquisite linear response, low distortion and extremely broad dynamic range, they sound great no matter what the application.
The 4266 comes with a Single In-Ear earpiece and is available продолжить black and beige.
This improves the gain-to-feedback продолжить and gives more channel control.
Yet natural voice intelligibility is preserved.
The mic also has very high SPL capabilities.
You can both speak and sing into the mic with no hint of distortion.
Windscreens, a capsule protection cap, a cable clip to anchor the cable to your clothing and a color-coded cable clip offering easy recognition of a specific Косая бейка с принтом Цветочки 15мм*65,8м (х/б) (FBF54 розовый) among many are included.
The squared capsule provides a slim appearance on camera.
The 4188 comes with Dual In-Ear earpieces and is available in black and beige.
Staying true to the DPA legacy, our headset mics offers accurate and natural voice intelligibility and very high-SPL capabilities — users can both speak and sing into the mic with no hint of distortion.
This mic comes in either a Single In-Ear or Dual In-Ear version.
It is available in both black and beige.
A bit about omnis An omnidirectional microphone has sensitivity at all angles — in principle picking 4 sound equally from all directions.
This gives you extremely natural and realistic sound compared to a cardioid mic.
Omni mics are often used for picking up ambient sounds, as well as miking a large sound source such as a choir in a recording situation.
Unfortunately, due to their pickup pattern, omnis can also produce a lot of feedback in live situations.
Nonetheless, we recommend that you try a DPA omni first because, when used close to the sound source, the equal frequency response makes these mics a flexible addition in your audio toolbox.
It will often give a more natural sound, it can handle extremely high sound pressure levels, it does not suffer https://xn--c1akdctmh4h.xn--p1ai/amp/naruchnie-chasi-dolce-amp-gabbana-dg-dw0229.html proximity effect and is not as sensitive to wind, pop or handling noise.
They come in many variations — with wider or narrower angles of sensitivity supercardioid, hypercardioid, wide cardioid etc.
Although cardioids also pick up sound coming in from the sides, this off-axis sound will normally be more or less colored and damped.
The unique DPA capsule technique however skips the colorization of the sound coming from the sides or the rear of the mic and just reduces the sensitivity to these angles and thereby offers perfect sound stages.
The amount of damping depends on the exact specifications of the mic.
A cardioid microphone is, by definition, damped -6 dB at the 90°side entry of the microphone but for many, the word cardioid generally covers mics with a directional pattern versus omnis, which pick up sound from all directions.
Due to their nature, directional mics are often 4 on the live stage — both during concerts as well as spoken-word events, to capture the focused sound of an instrument or voice.
The narrow angle of sensitivity helps to minimize the bleed from other sounds on a busy stage.
One thing to note with cardioid mics is the proximity effect, which causes an increase in bass response the closer the microphone is moved to the sound source.
Therefore, when judging mic 4 you 4 always look for a statement stating the distance at which https://xn--c1akdctmh4h.xn--p1ai/amp/mikrovolnovaya-pech-lg-mh6596cit.html flat frequency response has been measured.
In addition, cardioid mics are far more sensitive to wind, pop and handling noises than omni mics, so be sure to take precautions to guard against 4 />Adapter system gives you flexibility The adapters for wireless systems give you flexible, simple and affordable possibilities.
You are no 4 bound to one wireless system.
As circumstances change, you can just switch your adapter, instead of incurring the cost of a completely new microphone.
When you make the switch, you won't hear any loss or change in sound quality.
DPA's miniature microphones work with all leading wireless mic solutions, such as Lectrosonics, Sennheiser, Shure, Sony, Wisycom, Zaxcom and many more.
It protects your investment in fantastic sound for years to come.
It provides clear, wide spectrum audio quality, and there is no leakage of sound to the microphone capsule.
This solution combines the need for exceptional audio with a secure, comfortable all-day professional headset solution.
Read more and configure your mic 4166 and 4 Series Omni Headset Mic These mics combine the legendary sound of the 4066 with a lightweight and flexible headset system.
This condenser mic is easy and fast to adjust and it offers clean and transparent sound quality.
Learn more and configure your mic 4188 and 4288 Series Directional Headset Mic Combining the legendary sound of the 4088 Directional Capsule with a lightweight and flexible headset 4, these ear- and headset mics are ideal for both spoken word and vocal performance 4 />Learn more and configure your mic Optional accessories The DPA In-Ear Broadcast Headset Microphone is a low-profile professional microphone.
By adding the benefit of an in-ear monitor, churches have 4 new tool for improved communications between stage and behind-the-scenes staff.
When we talk about a wireless microphone we actually have to consider this device as consisting of two different components: a microphone and a radio transmitter and of course there must be a receiver somewhere to complete the system.
Each microphone 4 in a different variations, each with it's own product ID and variant name.
See the list of product IDs and names below.
Product ID Old product ID Variant 4 4266-OL-I-B00-LH-1 FIO66B00-2-IE1-B 4266 Omni Flex InEar Headset Mic, 110 mm Boom, Black, MicroDot, Single In-Ear 4266-OL-I-F00-LH-1 FIO66F00-2-IE1-B 4266 Omni Flex InEar Headset Mic, 110 4 Boom, Beige, MicroDot, Single In-Ear 4266-OL-I-B00-LH-1 FIO66B00-2-IE1-B 4266 Omni Flex InEar Headset Mic, 110 mm Boom, Black, MicroDot, Single In-Ear 4266-OL-I-F00-LH-1 FIO66F00-2-IE1-B 4266 Omni Flex InEar Headset Mic, 110 mm Boom, Beige, MicroDot, Single In-Ear 4188-DL-I-B00-LH-2 FIDB00-2-IE2-B 4188 Directional Flex InEar Headset Mic, 120 mm Boom, Black, MicroDot, Dual In-Ear 4188-DL-I-F00-LH-2 FIDF00-2-IE2-B 4188 Directional Flex InEar Headset Mic, 120 mm Boom, Beige, MicroDot, Dual In-Ear 4288-DL-I-F00-LH-1 FID88F00-2-IE1-B 4288 Directional Flex InEar Headset Mic, 120 mm Boom, Beige, MicroDot, Single In-Ear 4288-DL-I-F00-LH-2 FID88F00-2-IE2-B 4288 Directional Flex InEar Headset Mic, 120 mm Boom, Beige, MicroDot, Dual In-Ear The 6066 mics sport a completely redesigned, lightweight, one-size-fits-all headset that attaches over the ears for maximum comfort.
What they lack in size, they more than make up for in clarity, consistency and durability — three qualities that really matter.
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